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Nick Karagiaouroglou
{K:127263} 4/2/2008
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I am so glas that you see the geometric interdependence too, Visar! I just tried here to make such an image that lives from geometry, but I thought it is too weak in exposure and composition in order to make those elements as immediately visible as they obviously did appear to you. I guess that my skill in line/shadow enhancement was not as good as it needed to be, but surely I am glad when I read your comment about that, since it shows me that at the end it was also not in vain to try that.
Thanks a lot for the nice detailed comment!
Nick
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absynthius .
{K:20748} 4/1/2008
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what a complex shot! the very accurate composition get exceeded by fantastic observation of the lines/ shapes resulting with parallel shadows, naturally. there are so many elements, and even more fractions but yet the shapes are radical; the fence of balcony, stairs, and the drain- and that is for the naked eye only!! as we go on scrutinising the image more things appear. the shadow line from an electric pol (perhaps!?) that is so parallel with the concrete formation under the terrace and perhaps the door to the cellar- therefore a the perfect angle.
dear Nick, this tells me Nick, that you have done a thorough study of the 'everything within' here.
my greatest regards,
v.
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Nick Karagiaouroglou
{K:127263} 4/1/2008
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Hmmm, I don't know if the composition is so successful, Gustavo, but thanks a lot for that. It does have something but many details have less impact than they should, because of exposure problems as Kiarang also pointed out. I think I must retry this.
Cheers!
Nick
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Kiarang Alaei
{K:49415} 3/31/2008
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Thanks dear NICK............
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Gustavo Scheverin
{K:164501} 3/31/2008
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Un muy interesante punto de vista para una lograda composición, me gusta tu forma de encuadrar y componer los detalles de arquitectura.
Felicitaciones!
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Nick Karagiaouroglou
{K:127263} 3/31/2008
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Thank you so much for the nice and detailed comment, Kiarang!
I find it really surprising, and thus very interesting, since I took these images some years ago, and if I compare them to what I do now, I must say that I see great differences! Nowadays I go for underexposure much more often than the opposite.
I think that the general overexposure of many of the photos in this series is due to my little experience with strong light and its metering at that time some years ago. It seems that I relied too strongly on the weighted average metering of the T70, which was perhaps good for some more uniformly lighted scenes but had its problems with such extreme differences of lighting.
Thanks a lot again!
Nick
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Kiarang Alaei
{K:49415} 3/30/2008
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This kind of colour hues is like the old negatives which they are expired!
here the perspective and the intention distract of perspective is nice and it's like a playing with lines and harmonies.
the big shadow in upper right is a bit distract, althought the over exposure in the lower part of the image is a bit distract too.but that over exposure is a thing like a sign, your sign, an element of your style.
you look simple to thye life and the simplicity is what emphasizes your works. it's you way and it's no important if few people interest on this way!
Keep up thoughtful looking dear Nick.
you are living with your Camera!
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