Ashley, I'm viewing this under less-than-ideal circumstances (remote controlling another computer, and there's some posterization of the image), so I won't rate the photo this time, but it looks as if you did the right thing in your post processing. If there's any detail left at all in the brightly lit parts of the more remote arches, you might want to try to burn it in, but that may not be possible. Subways are interesting subjects, and I'm thinking of doing a series of Tokyo's many lines and stations. At least there'd be enough to keep me busy. {g} Also platforms are inherently the right shape for panoramas! I'm SO glad my "Sculpture Plaza" panorama encouraged you to try this form. Unless you get a swing lens dedicated panorama camera, your best approach will be to use a wide lens--at least 25mm, preferable 21mm, and trim away the foreground. Or you could stitch two or more shots together, of course, although that can be pretty time consuming. Watch for my article on panorama shooting which should be going up on Usefilm Real Soon Now. According to Altaf.
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{K:86139} 1/23/2004