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  Photography Forum: Large Format Photography Forum: 
  Q. w.a. lenses for 4x5

Asked by Richard E. Ray    (K=45) on 6/25/2002 
I have the opportunity to photograph a soon-to-be demolished basement which housed a '60's vintage fallout shelter. Time won't be a problem so my crew can provide hot lights, shoot lots of Polaroid test shots, etc. I've used a 90mm Schneider in the past for interiors, but have some concern as to whether or not it will be "wide" enough. Comments/suggestions re a 75mm or 65mm? I think I'm out of luck going as wide as 58mm without a bag bellows. Thanks very much! rr


    



 David Meiland   (K=1820) - Comment Date 6/25/2002
I would probably recommend the Nikkor SW 65/4. It's REALLY wide, has good coverage, and for my eye does not require a center filter. I've used the Schneider 65/8 SA, and I vastly prefer the Nikkor due to the brighter max aperture. On my camera it requires both a recessed board and a bag bellows, but it really does the trick when you are in cramped quarters. It will distort objects near the edges quite a bit, but that's the price of ultra-wide glass.





 Joe McCary   (K=3235) - Comment Date 7/17/2002
The choice for a wide angle lens for 4x5 has many sub questions. A 75 or 65 may require a recessed lens board. Do you have one? Does your camera's standards move that close together? I have a Sinar and it can use a 65mm without the need for a recessed lens board, but that is rare. My suggestion is to find a local store that has these lenses in stock and go try them on your camera. The 65 is more than just wide ona 4x5, to my thinking it is an ULTRA wide. It offers so little movements the camera becomes more like a large format box camera with no movements. The 75 is better in this area, but not much. I too like the Nikkors only because they match color with my other Nikkor lenses.





 Richard E. Ray   (K=45) - Comment Date 8/1/2002
David & Joe. Thanks for the responses. I do have a recessed board, and a [relatively] local shop which rents lenses. The bag bellows would be ideal, of course, but I think I'll be ok with the 90 for most of the work. I will try the 75 before the shoot, and may just opt for that. Again, thanks to both of you for the information. Now, to wait out the controlling powers for access to the room!
Cheers!
Richard





 Britt Park   (K=2210) - Comment Date 5/8/2003
Just a data point. I like my Nikkor SW 65/4 very much. With a recessed lensboard on my Tachihara I have a reasonable amount of movement focused at infinity. A studio camera with bellows larger than the 12" on my Tachihara is likely to be stiffer. I prefer to use a center filter. But, do as others have suggested and test out your camera and the 65 and see whether it will be workable.





 Al Camp   (K=539) - Comment Date 8/26/2003
Just racking up karma today, but this question intrigued me. You don't need a bag bellows when using a Linhof camera. I have both a 58 and a 65, Schneider's latest optics, and they work well with center filters. You do have to put the bed tilted down on the 58. And you have to use rise on the 65 or else see the bed. Hope your project worked out well.




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