|
Rima Dario
{K:4427} 9/8/2005
|
Caolori hauuu. Ciao Dario
|
|
|
Sam Kh
{K:19017} 8/21/2005
|
fantastic title and shot is wonderful with the best composition and color
|
|
|
JEONG CHUN P
{K:39} 7/24/2005
|
thnaks banna,
maybe she look and say she wants to marry me and no one else :-+
|
|
|
Mohamed Banna
{K:34237} 7/24/2005
|
she will look one day :O)
|
|
|
JEONG CHUN P
{K:39} 7/24/2005
|
hi md banna,
thanks,
every time i look at this window, i thought of th ewoman who would be looking down at me from the cornerof that window....
|
|
|
Mohamed Banna
{K:34237} 7/23/2005
|
nice strong abstract,, great strong colors,, well done 7 sure my dear friend Jeong
|
|
|
JEONG CHUN P
{K:39} 7/19/2005
|
thanks david s.,
to some extent i do agree with you.
but as a traditionist,
i just take the shot and present it the 'way it is'.
if there is any deletion or addition, that would be mentioned.
but again as a traditionist, i present th e photos th e way it is in its original form.
thanks alot.
|
|
|
David Stokely
{K:1010} 7/19/2005
|
Hi Jeong,
For me this is all about your philosophy about photos, but It is a very easy thing to remove the shadow with post processing software. I have been of both minds. When I first started taking pictures, I felt that any tampering with the shot other than maybe tweaking the exposure was like cheating, but as I have come to view what I do more as art than a strict representation of reality, I have felt greater freedom to remove distracting elements of the shot with software, etc.. Two of my photos are examples. My photo 'windmill weather' I combined two photos together and I think that is drastic enough of a change so that I have an obligation to the viewer to let them know what I have done. My shot 'tranquility' is of the same windmill as the other. In that case, I removed an electrical pole and wires from the scene and a cable running under the bridge and some dead weeds in front of the water. To me those were minor enough changes, that I didn't feel that I was being dishonest about it to the viewer and therefore I didn't mention it in the description of the shot.
I guess everyone has to arrive at their own comfort level. I ended up deciding that if I wasn't going to put shots up just as they came from the camera, then I was on a slippery slope. Where did I draw the line? If it was OK to adjust the exposure in software, was it OK to boost the color? And if the exposure and color were OK, how about sharpening the shot with software? The position I have taken now, is as I said before, if I am adding things not there I tell the viewer about it. If I am just cleaning up and adjusting the shot I do not.
I am very new here. I enjoyed your photo. These are just some thoughts of mine.
Dave
|
|
|
JEONG CHUN P
{K:39} 7/19/2005
|
HI DAVID,
YOU ARE RIGHT.
BUT I COULD NOT GET AWAY FROM IT.
THIS IS A NARROW ALLEY WHERE IT WAS TAKEN.
thnanks.
|
|
|
David Stokely
{K:1010} 7/19/2005
|
Lots to look at here. Wonderful colors and shading, shadows and light, textures and shapes. A suggestion, remove the diagonal shadow in the upper left. To me it distracts from the rest of the shot. Very nice.
Dave
|
|
|
JEONG CHUN P
{K:39} 7/17/2005
|
hamdy, thanks,
|
|
|
Hamdy Reda
{K:874} 7/17/2005
|
wonderful shadow and perspective.
|
|
|
JEONG CHUN P
{K:39} 7/16/2005
|
Amer Kapetanovic
thanks,
i passed by this block on weekdays and had to wait for th eright time to shoot it....
|
|
|
a a
{K:853} 7/16/2005
|
wow, splendid photograph Jeong very very good cheers amer
|
|
|
Jeongphu PHU
{K:-102} 7/16/2005
|
Mohamed Banna
thanks,
i had to wait for some time fo r that shadow to get into the picture....
|
|
|
Jeongphu PHU
{K:-102} 7/16/2005
|
Branimir Fagarazzi
thanks,
think the pink tone and single window composition makes it a great picture!
|
|
|
Mohamed Banna
{K:34237} 7/16/2005
|
great perfect color in a very strong composition
nice abstract 7/7
|
|
|
Branimir Fagarazzi
{K:38367} 7/16/2005
|
Simple motive with nice colours and shadows. Regard
|
|