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Self-destruction
 
Image Title:  Self-destruction
  0
Favorites: 0 
 By: Greg Jones  
  Copyright ©2006

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Photographer  Greg Jones {Karma:138}
Project #49 Dramatic Portrait Camera Model Nikon F80 / N80
Categories Alternative Process
Portrait
Film Format Film 35mm
Portfolio inside myself
Lens Nikon  60mm f/2.8D AF Micro
Uploaded 10/17/2006 Film / Memory Type Ilford  Hp-5 Plus
    ISO / Film Speed
Views 485 Shutter
Favorites Aperture f/
Critiques 3 Rating
Pending
/ 1 Ratings
Location City - 
State - 
Country - United States   United States
About A Van Dyke processed photograph
EXIF Data
Random Pictures By:
Greg
Jones


Whisk me away

light painting

the populous. No less than we

Distortion of body and mind

In Dark Thought...

...

embrace

reversal of perspective

dismal

pouring soul

There are 3 Comments in 1 Pages
  1
James Cannon   {K:-463} 10/18/2006
Damn, cool! This is one of the best prints I have seen in quite a while. Love the rest of your portfolio, too!

  0


mimoza veliu mimoza veliu   {K:481} 10/18/2006
fantastic capture.

  0


Jennifer West Jennifer West   {K:243} 10/17/2006
absolutely stunning. the posture is so bleak and forlorn...you really get a sense of tragedy and despair. the blurred focus works extremely well with this image, representing not just the figure as out of focus, but your thoughts, your feelings, your life...like you are lost and cannot find your way back, don't know which way to turn. the molding of the form with the shadows and highlights helps to perpetuate those thoughts as if you are half in and half out of awareness of the world around you.
the composition is very strong with the triangle being formed by the figure. as we know, three points define a plane in geometry, which is why the triangle or sets of three make an image so visually stable. it is grounded, yet grounded in that sorrow...as if the figure wishes to stay and absorb that pain as a lesson, or savor every bit of sweet agony since it is the only remaining aftertaste of what is gone.
the van dyke process works very well with the mood and tone of the image. the brush marks almost like dirty windows smeared to block the light, or bars on a window, put there by who? the figure? to keep inside? or to keep others out? there is so much symbolism in the image that i am amazed. i think that this is such a powerful, eloquent image.

  0


  1

 

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