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Critique By:
Reza Fakhrai (K:3014)
5/5/2005 12:20:05 AM
Very beautiful sky. It looks as though everything was well-contemplated so I'm not sure how you intend to denounce a very competent photo.
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Witold Spiess (K:2874)
5/3/2005 11:50:46 AM
good work Stefano, best regards, Witold
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Krista Chamberlain (K:1003)
5/2/2005 7:23:26 PM
Great capture. It looks like a post card.
Krista
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
mary karimi (K:10818)
5/2/2005 2:27:34 PM
this one is exceptionally beautiful. Very detailed, excellent color.
mary
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
5/2/2005 8:55:18 AM
This is another fine shot for the Holga portfolio, and contrary to your saying it wasn't shot with much care, it does look like it was! Very nice work.
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Mellen (K:1970)
4/28/2005 8:28:36 AM
Well captured excellent and beautiful model..Best wishes Mark
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Dino Lupani (K:15142)
4/22/2005 8:58:43 AM
Molto bella e suggestiva!
Ciao
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Nour El Refai (K:12481)
4/22/2005 12:13:25 AM
you should remember her name, she is a nice model 
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Stefano Bramato (K:601)
4/22/2005 12:09:26 AM
Rolleiflex is the one. But I think that when you have good ideas almost every camera is well suitable for your creative mind. Of course, Rolleiflex is well reknown high end camera. BUt this shot is ok also with a dated film and a simple YashicaMat.
I'm seraching to figure out with every camera!!
ciao,
Stefano
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Stefano Bramato (K:601)
4/22/2005 12:06:48 AM
Rolleiflex is the one and only TLR! It was my very first TLR, and was sell to buy my actual Flex... 
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Stefano Bramato (K:601)
4/22/2005 12:04:59 AM
yes MArk, one of my very first shot with HOlga. It was on summer 2003!!
Ciao!
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
4/22/2005 12:03:02 AM
Wow. I have to give this a high recommendation. I'm speechless. Is the Rolleiflex better than the Yashicamat?
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
4/22/2005 12:01:22 AM
The heat is well represented in the harsh lighting and the high-key exposure. It's just as good as the Holga version.
So which one do you like better, the Yashicamat 124G, or the Rolleiflex?
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
4/21/2005 11:59:33 PM
Is this your first shot with the Holga? Congratulations! I think you started out just right. The composition is flawless. No changes needed.
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
4/21/2005 11:56:31 PM
Breathtaking shot, Stefano. I like the landscapes with Holgas.
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Alessandro Pregarz (K:1351)
4/21/2005 11:33:40 PM
Un immagine veramente drammatica, solo il bianco e nero riesce a trasmettere certe sensazioni. Io a circa 200 mt. da casa mia ho la Risiera di San Sabba! Bravo 7+, never forgive! Ciao Ale!
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
avi saar (K:2728)
4/21/2005 11:17:26 PM
the dark part of the image fit the darkness of that era. you did an importent work to immortalizing the genocide process. thanks for the memorial.avi
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Nour El Refai (K:12481)
4/21/2005 11:07:34 PM
amazing, it is placed for snakes or what ?
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
nedzad horozovic (K:351)
4/21/2005 11:00:35 PM
very very nice
beutiful tones
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
- - (K:6282)
4/21/2005 11:00:05 PM
great duo portrait - I don't mind the scratches - like them - but I'd consider cropping the emulsion's markings - that's a metadimension only rarely needed I believe /H
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Roberto Bertone (K:13239)
4/21/2005 10:57:01 PM
Bellisima immagine, suggestiva composizione!!!
Compl. Stefano!!!
Saluti.
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
- - (K:6282)
4/21/2005 10:54:42 PM
aoo - both versions are fabulous - great work!
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Kelly (K:20268)
4/21/2005 10:52:59 PM
wow.... i love both versions of this... well done...
cheers
kel
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Kelly (K:20268)
4/21/2005 10:52:32 PM
EXCELLENT !!!!
cheers
kel
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Mahar (K:3233)
4/21/2005 1:48:07 PM
Great image, like a big heart removed from it's chest. Perfect toning and exposure. Nice -mm
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Massimo (K:5595)
4/21/2005 6:14:31 AM
bellissimo ritratto e luce notevole.
massimo
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
4/21/2005 3:06:51 AM
This reminds me of the work of Ansel Adams and Edward Weston in California. It has a very Western look to it. Ilford Delta 400 is a great film, and with your Rolleiflex, you can't go wrong. Excellent work, Stefano. Thank you also for putting me in your list of friends! Ciao
Mark
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Stefano Bramato (K:601)
4/21/2005 1:03:57 AM
Ciao Roberto, mio maestro.
Certo che no, che non l aconosco. Lei voleva delle foto, io ero ad un servizio matrimoniale emi ha detto: senti ma dopo ilmatrimonio mi fai delle foto. Le ho fatto dodici scatti con la rollei.
Questo è uno. Certo che scatterei ancora con lei!! Sai credo che il segreto sia nel parlare e mettere a proprio agio sempre; chi viene fotografato è *sempre* di per se un difficile soggetto. MI aiuto con della autoironia!! ciao!
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Mark Beltran (K:32612)
4/20/2005 9:17:40 PM
Perfect timing! Good food, good eats, good photograph!
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| Photo By: Stefano Bramato
(K:601)
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Critique By:
Antonia BauerleinSehnert (K:30599)
4/20/2005 5:59:10 PM
It is a beautiful portrait -- as is she. The sepia is very nice with it. I like how the bright light cuts across the lower right and her dress, as it adds to the mood. Antonia
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| Photo By: Stefano Bramato
(K:601)
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