|
|
Critique By:
Jim Loy (K:31373)
4/15/2009 6:48:38 AM
Take all the time ya need....this is killer good.
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Marcio Janousek (K:32538)
4/14/2009 2:25:59 PM
speed go down... nice colors
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Roger Skinner (K:81846)
4/14/2009 12:39:32 AM
kekeke cracks me up... check this one out
http://www.usefilm.com/image/1514869.html
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Roger Skinner (K:81846)
4/13/2009 11:23:33 PM
the about... hmmm the image.. spot on, not that I would expect anything less
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Malules Fernandez (K:54810)
4/9/2009 10:19:09 PM
Excellent!
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Mahmoud Baha Sadri (K:19634)
4/9/2009 10:06:08 PM
a fine piece,Ian...
baha
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Nick Karagiaouroglou (K:127263)
4/9/2009 11:50:16 AM
What I start noticing in your recent works, Ian, more than the generation of washed out shapes, is the absence of shapes by the same "washing up" technique that also generates those shapes. I think that those "stamps" I was talking about until now would be much less defining if the "big space" around them wasn't there.
There is geometry and there is enhancement of composition by semi-classical "rules" on these images, but it is there in a latent state. It is implicit, not explicit. This one showed that to me very clearly. Just a vague reference to image "partitioning" for a good geometry, but it doesn't stand on the platform of the immediate attention. It rather escorts the sight.
Quite interesting!
Nick
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Roger Skinner (K:81846)
4/8/2009 10:25:32 PM
writhing twisted... hey! Horatio
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Fabio Keiner (K:81109)
4/8/2009 9:52:43 PM
very finest art
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Saad Salem (K:89003)
4/8/2009 6:09:17 PM
I have looked at it as an abstract,very successful one indeed,
my regards,
Saad.
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Nick Karagiaouroglou (K:127263)
4/8/2009 3:58:14 PM
Well, and how do you get more than one perpectives intermixed by long exposure, Ian? Is that for example turning the camera, then wait until the shadows had enough time to burn, turn again, wait again, etc? Because dark parts need more time to burn? If so, then I assume that this is why the lights are nonetheless "continuously taken" but the shadows resemble more what I do with multiple exposures. Very interesting! I'll have to try that.
About prevarication's present tense, I think that varication is a medical term, but I don't know exactly. BTW, how can a substantive have a tense? New Ianian grammatic? ;-)
And BTW2, why are 400 seconds of exposure "chilly"? You can have a good wine while doing that. ;-)
Cheers!
Nick
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Elahe S. Ahmadian (K:8695)
4/8/2009 3:43:12 PM
wow! fantastic photo. i realy enjoyed visiting your album, most of your works are realy great.
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
miriam leitner (K:3457)
4/8/2009 3:13:05 PM
very nice abstract!
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Marcio Janousek (K:32538)
4/8/2009 2:52:05 PM
A day of wrath.... when the wind is stirring the palms and cities remain only the feet of its inhabitants...
Great work.
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Gustavo Scheverin (K:164501)
4/8/2009 2:45:58 PM
Interesante abstracto logrado con el movimiento.
Bien hecho!
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Luca Peccerillo (K:17660)
4/8/2009 9:32:54 AM
Looka like a paint-work
Excellent............
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Luca Peccerillo (K:17660)
4/8/2009 9:29:36 AM
Impressive work...absolutely great!
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Owen O'Meara (K:10503)
4/8/2009 1:38:32 AM
I echo Anne and Fabio.
-Owen
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Fabio Keiner (K:81109)
4/7/2009 8:30:09 PM
wonderful
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Mahmoud Baha Sadri (K:19634)
4/7/2009 6:16:39 PM
Nice,nice and again nice shot,Ian...
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
RC. Dany (K:64104)
4/7/2009 6:12:07 PM
Excellent .
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Saad Salem (K:89003)
4/7/2009 4:04:51 PM
can not be solved,yet it is beautiful one,
regards,
Saad.
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Ian McIntosh (K:42997)
4/7/2009 2:05:37 PM
Bulb setting, Nick, usually 400 seconds
Double exposure only captures one moment of 400 seconds ambivalent.. mmm what's present tense verb for pre-varication (Varication?) about how to bend spend that chilly 400 seconds.
Which I'm finding is giving theatrics.
:)
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Nick Karagiaouroglou (K:127263)
4/7/2009 12:15:56 PM
The multiple roles of motion blurred and still subjects works quite well here, Ian. It conveys the many interacting horizons building up a collage of realities that are in some ways parallel to each other and in some other ways independent from each other. The visual tension of the trees at the background, that do not agree to our usual sense for size as a funtion of distance, raises the tension very high. Still the messages seem to be flowing between the many "worlds", connecting them in a sense of routing lines that relate them all together.
BTW, was that a multiple exposure?
Cheers!
Nick
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Mesut Yilal (K:3315)
4/6/2009 7:54:37 PM
a superb work..
congts
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Aungsita Chatterjee (K:19843)
4/5/2009 8:10:15 AM
well captured nice tone.......
regards bubai.
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Roger Skinner (K:81846)
4/4/2009 10:54:51 PM
lovely view .. perfectly rendered just perfect..
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Maria Benabbass (K:1635)
4/4/2009 8:36:30 PM
very beautiful shadows, lovely
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Mahmoud Baha Sadri (K:19634)
4/4/2009 7:17:49 PM
a very nice painting,Ian...
|
| Photo By: Ian McIntosh
(K:42997)
|
|
|
Critique By:
Nick Karagiaouroglou (K:127263)
3/31/2009 1:52:12 PM
I find this one the best of your fuzzy "stamps" on fabric, Ian! The consistency of the color palette on that washed out blue-greenish monochrome look is just about perfect to me! I thought that the partially taken tree at the left edge was not really good here, but when I cloned it off I realized that it is just exactly where it has to be for counterbalancing the big one on the center of the image.
Very good one!
Nick
|
| Photo By: Ian McIntosh
(K:42997)
|
|
