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PIERRE THOMAS karkau
{K:2031} 1/12/2008
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thanks....ptk
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Hussam AL_ Khoder
{K:79545} 1/12/2008
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FANTASTIC PEOPLE PORTRAIT !
many good captures i hope for you in 2008.
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PIERRE THOMAS karkau
{K:2031} 4/13/2005
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blue blue.....thanks....pierre
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Sam Andre
{K:12484} 4/10/2005
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blue, blue, electric blue
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PIERRE THOMAS karkau
{K:2031} 3/13/2005
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thanks for your comment......ptk
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Agust Agustsson
{K:881} 3/11/2005
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Not a very successful picture compared to your other outstanding work. It looks like you cut and pasted the sky in and the halo shows, including part of the sky at the roofline. The model is probably cut out also; the details, contrast and saturation is off the charts, giving blood red hands. I think this one is not worth saving.
However, I'm very impressed with your portfolio. Your model shots show a distinct style, that's very cutting edge. Fun to look at.
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PIERRE THOMAS karkau
{K:2031} 2/26/2005
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THANKS FOR COMMENT.......PTK
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Carlheinz Bayer
{K:14220} 2/25/2005
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Very cool! Especially like the color concept.
CB
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PIERRE THOMAS karkau
{K:2031} 2/25/2005
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hi johan......thanks for your comment.....pierre
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PIERRE THOMAS karkau
{K:2031} 2/25/2005
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big thanks...for comment....pierre
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Johan Sorensen
{K:3449} 2/25/2005
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Goood stuff
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Erik Neldner
{K:10846} 2/24/2005
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Great colors. Interesting pose/full of tension.
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PIERRE THOMAS karkau
{K:2031} 2/24/2005
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big thanks mark !.......pierre
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Mark Evans
{K:17428} 2/24/2005
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Excellent pierre !! i love the colours and that sky !! 7+++ .. mark .
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PIERRE THOMAS karkau
{K:2031} 2/24/2005
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HALLO ROBERT.....ES IST KEIN BLUT..ES LIEGT AM FILM
ABER ICH FINDE ES IRGENTWIE AUCH SCHÖN DRAMATISCH.....BEST REGARDS...PIERRE
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Robert Höhne
{K:4290} 2/24/2005
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I love Tom's stance and the angles of the buildings, a very dynamic picture. Is that blood that is meant to coming from his hands and face or just highly saturated skin colours.
Did you use a fill flash as he stands out very well from the background.
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PIERRE THOMAS karkau
{K:2031} 2/24/2005
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yes and thanks........ptk
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Robert Höhne
{K:4290} 2/24/2005
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Very cool, strong image
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