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Nick Karagiaouroglou
{K:127263} 12/26/2008
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Thanks a lot for the reply, Visar!
I think that I should try once more at that place, as it is just a few steps from here. I only need a sunny day and let's see what happens when I zoom in closer.
Cheers!
Nick
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absynthius .
{K:20748} 12/25/2008
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Yes, Nick- I imagined so that the larget dark areas would emphasis contrast- but after i tried it myself figured that the spectrum gained more in canvas integrity and yet not lose contrast which makes the colours pop out vividly~
thanks for the consideration,
cheers,
v.
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Nick Karagiaouroglou
{K:127263} 12/25/2008
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Hey Visar!
Thanks a lot for the detailed comment and even more for the idea about a tighter crop. I think you mean something like the attachment? I guess it boils down to zooming closer when I shot it. It really gets better this way though I would expect the apparent contrast to sink because of less darkness against which the spectral colors develop their power - so I thought. But not at all, and it has also more content the way you suggest. Thanks a lot for that.
About your attachment, it is good this way. That interesting "Moivre"-like oval of dispersion seems to be a bit "alone" there. But the thing is that a particular domain of order seems to evolve right out of chaos. The image makes one "expecting" the further evolution - will it grow or shrink or what "will" happen?
Cheers!
Nick
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Tighter crop after Visar's idea |
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absynthius .
{K:20748} 12/21/2008
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hi Nick,
The colour spectrum on darkening gradient is a reminder of the way photographers can use the rich range nuances of primary colours for composition and emphasis... and generate such result!
the waves on blue are amazing (my personal preference), especially the lighter part of it. and the texture on the wall is beautifully exposed!
perhaps, i would only consider another crop to it, removing a slice of the dark left part and bottom line-
a very hard image indeed!
cheers,
v.
ps
i have tried something similar on a window glass, trying to get a spectrum on a small pressed surface of it. i had to try several time, this one turned most satisfying~
(attachment)
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Nick Karagiaouroglou
{K:127263} 12/10/2008
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Thanks a lot for the reply, Saad! Now I understand you!
The lens I used is good but really not a "miracle" of technology. Just a good lens. I guess I had more luck than technology on my side. In such darker environments the weak lights have better chances to get a stronger emphasis. And since I also boosted exposure some 2/3 steps, they came out more powerful than otherwise.
Cheers!
Nick
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Nick Karagiaouroglou
{K:127263} 12/9/2008
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Why I am very luck and what does this have to do with November, Luis? I don't understand. :-/
The color separation was because of the curved glass on the door behind me. At that angle it acted like a prism.
Cheers!
Nick
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Saad Salem
{K:89003} 12/9/2008
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dear Nick,you have got a powerful lens,I have tried to capture the rainbow colors many times with good camera,Minolta,that got an APO glass lens,and the results was disappointing,the analytical power of your lens is good to produce such details of the analyzed light,
Saad.
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Nick Karagiaouroglou
{K:127263} 12/9/2008
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Many thanks, Yazeed!
Nick
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Nick Karagiaouroglou
{K:127263} 12/9/2008
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Thanks a lot, Saad. But what do you mean with "powerful lens"? It was only a Canon EF 35-80mm, 1:4-5.6. Not that powerful, really.
Cheers!
Nick
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luis pereira
{K:26013} 12/5/2008
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It's November. I think you're lucky. Was there a prism involved.
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M jalili
{K:69009} 12/4/2008
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A nice work my friend ..............
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Saad Salem
{K:89003} 12/4/2008
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a powerful lens you have got,my regards,
Saad.
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