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Send this photo as a postcard
Caught in a dream...
 
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Image Title:  Caught in a dream...
  0
Favorites: 7 
 By: John Barclay  
  Copyright ©2004

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Photographer  John Barclay {Karma:3650}
Project N/A Camera Model Canon Eos 1V
Categories Landscape
Florals
Film Format
Portfolio Lens Canon 70-200 2.8L
Uploaded 5/29/2004 Film / Memory Type Fuji  Velvia RVP
    ISO / Film Speed 50
Views 1050 Shutter 1/125
Favorites Aperture f/16
Critiques 17 Rating
6.63
/ 4 Ratings
Location City - 
State -  PA
Country - United States   United States
About A multiple of 9. The first 5 were shot not moving the cameara the next 4 quickly panning up. My intent was to lock in a sharp image and then add a mysterious feel to it...
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There are 17 Comments in 1 Pages
  1
Giuseppe Guadagno Giuseppe Guadagno   {K:34002} 10/31/2006
A delicate, soft and tastefull photo John.

Giuseppe

  0


John Barclay   {K:3650} 6/5/2004
John You are too kind, thank you.

  0


John Charlton   {K:5595} 6/5/2004
Masterful work here John... August sounds like fun... I've heard Freeman talk about South Africa with unbridled passion. Should be the trip of a lifetime.

  0


John Barclay   {K:3650} 6/1/2004
Thank you Micky, now go and have fun!

  0


micky waby   {K:9141} 6/1/2004
An absolute dream John,the kind of a dream I aspire to achieve,thankyou for all the imfo,a great help to aspiring photographers!!have never tried mutiple imaged so you have inspired me to have a go.Into favourites.Regards Micky.

  0


John Barclay   {K:3650} 5/31/2004
Thanks Bill. Yes I am a big Freemnan fan and will be shooting with him in August in South Africa! Can't wait. Yes, I love the sandwich technique. I have three framed images in my home all sandwiches. I love the lush colors rendered by the technique. Yes go try whatever comes to your mind. Thats the fun!!

  0


Bill Morgenstern Bill Morgenstern   {K:7157} 5/31/2004
Superb John!!! Freeman and Andre would second this, I'm sure. Are you trying sandwiches as well? With the fine lighting in this image I'd love to see a sandwich view. it's interesting to see the number of images of this type that are starting to appear since the technique was published in Photo Impressionism. I love the style of these shots but think it time to play with other techniques in camera to see if these can be stretched even further. What do you think?

Cheers - Bill

  0


Feng Yikang   {K:622} 5/31/2004
simply beautiful........

  0


Timothy R   {K:3028} 5/30/2004
It's a very nice shot. Very dreamy. Somehow I have an urge to put on my glasses....

  0


Jenni Alasuutari   {K:2120} 5/30/2004
Well done, John! Lovely, lovely view!

  0


Linn Currie   {K:24426} 5/30/2004
Hi John, thanks for the info I requested, as well as the additional valuable information. I will definitely be trying this :-)

Re the shots - it's worth it :-) Well, as long as it is in the arm (not the shooting arm!) and not in the bee-hind :-)

Linn

  0


Dirck DuFlon   {K:35779} 5/30/2004
Mary Sue, congratulations on a well-deserved featured critique on this one! Freeman Patterson is always a source of inspiration for me, too!
And to John, another chance to congratulate you for this fine image! :)

  0


Dirck DuFlon   {K:35779} 5/30/2004
John, this is absolutely beautiful! You definitely captured that soft, impressionist mood here. Although the panning was very effective in conveying the mood, you did it with such a subtle touch that it doesn't really overwhelm the image with the effect. Excellent - into my favorites!

  0


John Barclay   {K:3650} 5/30/2004
Thank you Mary Sue. In this case I made pretty big sweeping vertical motions trying to keep them registered in the same place. I'll post another of this same scene done differently..

  0


Mary Sue Hayward   {K:17558} 5/30/2004
Imageopolis Featured Photo Critique Perfectly dreamy. This has that ethereal quality that you capture so well. Somehow it feels that a step into the image would lead you to a wonderful world where the breeze is cool, the sunshine warm, and troubles are far away. Really nice, John.

Technical question: On the 4 shots that were panned, what is the range of pan? Hope that question makes sense. I am curious if you moved the camera just a little bit (it doesn't look slight big motion blur) or if you moved it so that the entire field of view whooshed past in the viewfinder.

Also...was each of the 4 shots a blur of the same field of view, or of a different segment?

Obviously I need to reread Patterson and Gallant's book, Photo Impressionism, but maybe you can share some insight too.

Again, LOVELY image.

  0


John Barclay   {K:3650} 5/29/2004
Thank you Linn. I've been busy scanning and shooting lately... Yes a tripod to lock in the first 5 of the multiple. Then I unlocked the ballhead so it was very loose and as I pulled the trigger I quickly moved the cameara in an up and down position. I tried to keep the movement consistent with the vertical trees. I'll post another version tonight of the very same scene but done with a straight multiple of 9... I see you have lots of new things many which I love.. I'll try and get to some shortly.. been real busy. Got to get my shots for my SA trip! UGH..

  0


Linn Currie   {K:24426} 5/29/2004
OK Mr Barclay! About time!!! :-)

Now I want to know everything about this image : did you use a tripod? Did you then layer all the images over each other? Was this on continious setting?

LOVE it John!!! It's soft, yet sharp (exactly what you wanted to achieve). It's romantic, yet mysterious in a small way. It's pink - which gives it a high score in my book But most of all, it is just so damn perfect and something I would love to be able to do one day!

Congrats!

Linn

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