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Send this photo as a postcard
view from a hut
 
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Image Title:  view from a hut
  0
Favorites: 1 
 By: Ian McIntosh  
  Copyright ©2009

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Photographer Ian McIntosh  Ian McIntosh {Karma:42997}
Project #51 Silhouettes and Abstracts Camera Model k200d
Categories Travel
Film Format
Portfolio Road Movie
Lens f4 16-45 pentax smc
Uploaded 6/11/2009 Film / Memory Type 100
    ISO / Film Speed
Views 400 Shutter
Favorites Aperture f/
Critiques 21 Rating
6.10
/ 5 Ratings
Location City - 
State - 
Country - New Zealand   New Zealand
About slow exposure, various povs
Random Pictures By:
Ian
McIntosh


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glory

There are 21 Comments in 1 Pages
  1
Oto Hejmala   {K:-626} 3/23/2010
well, some of my friends are going there and will also play. Not at the World Cup :-). With some veterans teams in NZ ( http://oldboys.rugby.cz/en/ ). Unfortunately I am not going. I will try to find some new photos to post.
Regards
Oto

  0


Ian McIntosh Ian McIntosh   {K:42997} 3/18/2010
Good to hear from you Oto!
I don't assume you've stopped but less posting here. I'm getting ready for an exhibition in Australia of all places.
Very much heads to the computer that's my focus. Looking forwards to any Czech visitors for the world cup.

  0


Nick Karagiaouroglou Nick Karagiaouroglou   {K:127263} 8/16/2009
I will do some tries on overlays here, Ian, but I need time that I don't have right now. Anyway, your invitation for an opera remains in my mind.

It will take some more time too, until I start posting my own multiple exposures, and I think that the best of all would be to return to your images at that time and start a comparative and closer look.

Cheers!

Nick

  0


Ian McIntosh Ian McIntosh   {K:42997} 8/12/2009
Such an insightful bloke Nick, and intriguing question.Definitive metaphores appear in my mind that seem adequate and then their bubbles burst.
We can only see. First thoughts were metaphores it occured to me the viewer couldn't seperate a transition from an argument but so what? Sounds like a plus.Like merging verdian opera with haiku was another thought...
Will look for your results.
My starting point in the process is a love of overlays there is such a myriad effects from them one is spoilt for choice, Very well visually cultured minds can produce a lot of them, reckon our mutual Austrian friend could produce twenty a day and may have done some times.
I would generally consider 60 variations of one and they'd all change me and still not make up my mind as to what is a definitive statement to others. The uncertain but delemna'd presents of Pynchon the writer and Mark E. Smith the singer and maybe even Auden the poet really appeal to me.
So I like what your saying about the internal world.
If we found a common theme we could commit to a collaborative attempt to mix the space between the two methods couldn't we?.a window in switzerland and New Zealand and hell maybe even spain and austria one day.
Hey, Nick, Tony, you're welcome to overlay on this. We could start an opera!

  0


Ian McIntosh Ian McIntosh   {K:42997} 8/12/2009
May have helped that there were mountians all around me a single statement shared by all of the frames. Lets see how it goes Tony.

  0


Tony Smallman   {K:23858} 7/28/2009
Hey Ian,could you please answer Nick's question and let me know when you do.It's another interesting shot.It's too hot to go out-around 40 centigrade right now-so maybe I'll try out this technique,it looks promising.
Cheers, Tony

  0


Oto Hejmala   {K:-626} 7/23/2009
Hi Ian. I haven“t been here for some time. I can see some shifting in your photographs. I like this one a lot.

  0


Nick Karagiaouroglou Nick Karagiaouroglou   {K:127263} 7/21/2009
Reminds me of some of my multiple exposures and of what I was trying to make visible through them. Here I have some vague impression of a situation somewhere between Picasso and Escher for the "impossibility" of the result of superimposed geometries. In addition the element of ludid dream seems to emerge out of the image. And exactly this seems to be one difference between my multiple exposures and your long exposure with various PoV. The "halo" of the transitions between the various PoV is absent on my images and so the impression they give is rather a "reconstruction" of this world, while your images are more a "reconstruction" of a mental world. This I find very interesting. Do you think that a mixture of both could cover the space between the the two methods, Ian?

Cheers!

Nick

  0


RC. Dany RC. Dany   {K:64104} 7/6/2009
Excellent .

  0


Roger Skinner Roger Skinner   {K:81846} 6/30/2009
Hiya I emailed the proposal and several other documents tonight to your work and home email addresses

  0


Fabio Keiner   {K:81109} 6/19/2009
you daily magic's overdose

  0


Wayne Harridge Wayne Harridge   {K:18292} 6/16/2009
Excellent work, interesting idea combining several POVs.

...Wayne

  0


Roger Skinner Roger Skinner   {K:81846} 6/13/2009
yeah the ex (or at least the proposal) is a WIP I have actually made a start.. kekeke I really should get into gear eh?? I havent written to you at your email add will send something today.. (like now)just to test the connections.. stand by

  0


Ian McIntosh Ian McIntosh   {K:42997} 6/13/2009
Indeed, but I am available re: exhibition dreams. I still haven't completed the wedding stuff but there ya go that's me. You still not recieving replies from my fastmail account?

  0


Roger Skinner Roger Skinner   {K:81846} 6/13/2009
same mountain tho eh?? umm u asked about news.. was that news of james??

  0


Marcio Janousek Marcio Janousek   {K:32538} 6/11/2009


Hello Ian..
Something call you to there..
Come to the hill boy !!
Very nice !!

  0


txules                                . txules  .   {K:62768} 6/11/2009
perfect.....txules

  0


RC. Dany RC. Dany   {K:64104} 6/11/2009
Excellent .

  0


greg collins   {K:12273} 6/11/2009
Very cool.Lots of crosses.
Greg

  0


vehbi dileksiz vehbi dileksiz   {K:37355} 6/11/2009
excellent B&W...great composition and tones...congrats...regards...vehbi...

  0


Saad Salem Saad Salem   {K:89003} 6/11/2009
very fine shot,and a finer POV,
Saad.

  0


  1

 

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